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An Open System Ingo Maurer Never Meant to Finish

Ingo Maurer designed the YaYaHo wire system in 1984. In Milan, Axel Schmid’s team hung the same cables with new paper, LED strands, and small umbrellas that sit on top of the wire instead of dangling from it.

An Italian Furniture Brand That Acts American

Enrico Colzani spent almost 30 years at Knoll before taking over Arper’s Americas business at the start of last year’s Salone. We met again in Milan during Salone 2026 to talk about the strange position of running an Italian design company that has spent decades engineering itself not to feel Italian.

Mizetto’s CARGO Sofa Redefines How We Sit

The CARGO sofa by Mizetto was conceived as a shifting seating system designed not to hold a single fixed form, but to change depending on how it’s occupied. According to co-owner Richard Muskala, its identity is constantly negotiated through use. That quality becomes clear in the way people interact with it. Instead of sitting in

Stefon Diggs Reimagines “Home” Through Form and Function

The HOME I bench by Stefon Diggs starts with a simple idea: furniture doesn’t sit still in meaning. It can act as a seat, a table, or a sculptural object depending on how it’s placed and how people use it. It comes from Stefon’s larger HOME series, where each piece connects back to the idea

An Aesop Installation Built From What Milan Throws Away

You step out of the noise of Brera into the cloister of Santa Maria del Carmine, and before you’ve taken in the scaffolding wrapped in trompe-l’œil tarpaulin, before the lemon sorbet, before the four films of artisans turning brass on lathes, Aesop has already done the thing it does in every store. It has slowed

Dozie Kanu Takes the Keys: A Sculptor’s First Move at Knoll

OFFICE, the Belgian practice led by Kersten Geers and David Van Severen, has built the Knoll pavilion at Salone del Mobile for the fourth year running, again out of repurposed and recyclable parts. Its steel frames capture the mid-century modern aesthetic the brand is renowned for, while giving visitors a consistent worry that they may

How Yellow Studio Turned Café Tables Into the Grammys’ Signature Look

For the past five years, Yellow Studio has been responsible for the visual design of the Grammy Awards. Founded by production designer Julio Himede, the New York-based firm creates everything from the stage setup to the seating arrangements that have become a signature of the modern show. Days before the 2026 Grammys, I caught up

5 Design Trends We Saw at Maison&Objet

In a moment when so much design is filtered through screens and speed, Maison&Objet leaned into the opposite as a fair built around touch, craft, and the kind of “wow” that comes from standing in front of work that doesn’t need an explanation. Trade fairs are supposed to be efficient. You arrive with a list,

The Volvo EX60 and the Swedish Idea of the Future

In Stockholm, designer Sara Erichsen Susnjar stood beside a wall of swatches and wood veneers and began talking about the EX60 the way an interior designer might talk about a room. Sara, a Senior Color and Material Design Manager at Volvo Cars, has been with the company for nearly 20 years. Her vocabulary is less

Isolating the Senses with Mohawk Group’s MultiSensory Collection

The senses don’t operate in isolation. They layer, overlap, and inform each other in ways we rarely notice. With Mohawk Group’s MultiSensory collection, we isolate them: sight, sound, smell, taste, touch. Each image captures a single sense against textured carpet, where earth tones become anchors for how we experience the world.

Everyday Altars: Wolf-Gordon Frames the Rituals of Home

Everyday Altars captures the quiet ceremonies that root us to home through Wolf-Gordon’s Binya/Comya wallcoverings, created by Gullah Geechee artists and craftspeople. Each scene frames a moment of personal ritual against surfaces that speak to identity and belonging.

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