Everyday Altars captures the quiet ceremonies that root us to home through Wolf-Gordon’s Binya/Comya wallcoverings, created by Gullah Geechee artists and craftspeople. Each scene frames a moment of personal ritual against surfaces that speak to identity and belonging.
← She cradles her floral arrangement with a single stem in hand. The backdrop’s woven texture frames this ritual of gathering. Cardigan by R13. Pants by THE ATTICO. Vintage earrings
→ Flowers are arranged before Stitched in Kasha by Angela Stoneworth for WOLF GORDON, each bloom placed with care. The artist’s sturdy work with organic fibers transforms material into structure, just as arranging flowers becomes a moment of mindful devotion. Dress and sandals by JIL SANDER. Pants by ST. JOHN
← The wallcovering’s intricate geometry frames this ritual of pause, where sitting becomes a deliberate stop in the day’s motion and rest transforms into intentional practice. Sweater by HAIKURE. Dress by COLLINA STRADA
→ Books stacked high against Wrought for WOLF GORDON, a tower of collected knowledge. The wallcovering’s iron-inspired pattern frames this ritual of reading and returning, where accumulation becomes meditation. Top by TOTEME. Pants by KHAITE. Sandals by LOEFFLER RANDALL
← Standing in front of Cast by Joseph Legree, Jr. for WOLF GORDON, a photographic mural of hand-crocheted cast net, her hands rest on weathered wood. The textured pattern frames this moment of grounding, where touch becomes stillness and gesture becomes ritual. Dress from ACNE STUDIOS. Sweater by CLUB MONACO. Vintage earrings
→ A single candle burns in silent ceremony. The netting from behind holds shadows and light, creating sacred space from simple elements. Top by JACQUEMUS. Vintage knit over shoulders, silk shorts, earrings
Model: Maryam Jama, Ford Models. Styling by Camille Ries.
Hair and makeup by Tanya Renelt, The Rock Agency
A version of this article originally appeared in Sixtysix Issue 15.