Inspired by the sleek, functional designs of mid-to-late 20th-century plastic and fiberglass chairs, the Popo Chair is a contemporary nod to icons like Joe Colombo and Massimo Vignelli. “There wasn’t one moment that sparked the idea for the chair,” designer Willett says, “more so the fact that I wanted to design a chair that could seamlessly exist in multiple settings—just like those classic designs.”
The name “Popo” carries the essence of this vision. Short for popolare—Italian for “popular”—it reflects Willett’s ambition to create a chair that fits in various scenarios. “It’s the popular chair for everywhere,” he says.
The chair’s frame was formed using soft right angles and a high-gloss lacquered finish. “I wanted the chair to be approachable but have a sexiness to it,” Willett says. “I love lacquer … it’s a complicated finish that really responds to its surroundings.”
This careful balance of structure and sheen allows the chair to be both understated and eye-catching, depending on its placement. Functionality also plays a major role in the Popo Chair’s appeal. “It is functional due to the scoop in the seat and the slight tilt of the backrest,” Willett says. Its simplicity also elevates it beyond mere utility. “I think that’s what makes it a piece of art.”
As for where he envisions the chair? Practically anywhere. “Definitely around a dining table—I want it to be used,” he says. “Even placed against a wall in a big open loft, in a dorm room, or behind a cash wrap in a high-end clothing store.”
A version of this article originally appeared in “Nice Chairs” in Sixtysix Issue 14.
